Holocaust Video Testimony: The Other Reality TV In the late 1970s and early 1980s, more than twenty years before Pop Idol (and its US copy, American Idol), a group of Holocaust Survivors in Connecticut decided to film their own reality television. Rather than instant celebrity, ![]() The effort succeeded beyond their wildest dreams. Twenty years on, the Fortunoff Video Archives contains video testimonies not just from Connecticut, nor even only from the United States and Israel, but from all over the world. It has spawned numerous other Holocaust oral history archives in New York, Washington, Jerusalem, and elsewhere (some funded by institutions, others by philanthropists such as Steven Spielberg), and provided one of the first models for how to create, construct, and order an oral history archive, influencing similar projects that evolved in the aftermath of the national catastrophes in Cambodia, Tibet, and Bosnia.
Unlike the Spielberg effort, the testimonies in the Fortunoff archive are not edited at all. This decision has two ramifications. First is the practical problem of storing a large number of aging videos and/or transferring them onto other formats. Second, and the subject I will go on to discuss below, is the length of many of the testimonies. Although the length varies (and I'm told that it often varies with nationality) the Hebrew testimonies that I listened to mostly went on for 10 hours or longer. As a result, watching holocaust video testimony is often really boring, and it's getting more boring by the year. No one-not the staff of the archive, nor writers who write about the videos, nor students who work at the archive-ever mentions this. It's as if the fact that countless hours of the testimonies are tedious is a shameful secret that should be kept hidden. Well it's not a shame and it shouldn't be a secret. |
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