Whoever took these pictures, they stand on their own. The Russian-made Horizon panoramic camera used for most of the C prints in this exhibit utilizes a rotating lens. This novel piece of equipment encompasses a sweeping view of the action. This is seen to great effect in a shot of a dancer (not Carucci) from behind with gossamer veils extending from underneath her arms like wings, as a crowd surrounds her in exaltation. The neon-like glow emanating from these prints enhances the stagy (and backstage) context of the motif. The darkened nighttime locales lend a chiaroscuro-like effect to the prints, backlighting from spots and colored disco gels amplify the carnivalesque atmosphere.