Michael Shurkin
Reinventing the Wheel, p. 5


The second is Franz Rosenzweig. (Rushkoff lists The Star of Redemption in his bibliography, but it's one of those books that people cite but never read and certainly don't understand, nor is it at all discussed in the book.). Rosenzweig was the prophet of the last most-promising attempt at Jewish renaissance, which took place in Weimar Germany and featured such luminaries as Buber, Scholem, and, peripherally, Benjamin and Kafka. Rosenzweig made two contributions that Rushkoff unknowingly attempts to reinvent: the first is an almost postmodern approach to Torah that argues for self-consciously embracing the code while being fully cognizant of its virtual nature. Rosenzweig argues that belief in the 'truth-claims' of Torah is not essential to Judaism and never really has been; what matters instead is Jewish practice (halakhah) and intellectual engagement with the texts of Judaism, the code. This is close to what Rushkoff argues, but Rosenzweig's commitment to the code translates into a more thoughtful understanding of learning and the possibilities for the "lapsed" Jew to return to Judaism. Rosenzweig founded a visionary adult education school, the Frankurt Lehrhaus, and wrote moving essays on Jewish education that argue for the beauty and authenticity of the "lapsed" Jew's engagement with Jewish text. Rosenzweig's writing, combined with the story of his own personal return, is profound and inspiring.

Lastly, I wish to add to this list Arnie Eisen, who brings Kaplan and Rosenzweig into contemporary America. Two of Eisen's works in particular, Rethinking Modern Judaism and Taking Hold of Torah, feature fully articulated versions of what Rushkoff can only hint at. The first book is a historical and academic assessment of Judaism and Jewish practice that, drawing from Kaplan and Rosenzweig, establishes the possibility of a post-modern commitment to the religion through learning and ritual practice. The second is a more popular version of the first. It communicates the same ideas in a more personal and much more accessible format. What both books do is establish the basis for the sort of renaissance urged by Rushkoff. However they found a more viable model derived from a thorough study of Judaism and Jewish history rather than shoddy scholarship and wishful thinking.

Perhaps the best that can be said about Nothing Sacred is that it is provoking a meaningful and welcome debate about Judaism, and to that extent Rushkoff has already succeeded in changing the agenda from Israel and intermarriage to Torah. If he can get the people running American Jewry's major institution and philanthropies actually to challenge their assumptions, he will have done us all a great favor. Certainly, the people Rushkoff debates in this book, the very people he hopes will be his audience, all seem incredibly stupid, and I appreciate that Rushkoff is trying to bash some sense into them. Having gotten everyone's attention, however, Rushkoff ultimately does not have a whole lot to say, and what he does say, others have already said better: Torah is an open book, and doing Judaism right means learning to read it, understand it, wrestle with it, and live in it. Judaism, moreover, is worth the effort. So go and learn.


[1]       [2]       [3]       [4]       5
Image of Franz Rosenzweig: Archive

Michael Shurkin received his Ph.D in History from Yale University. He is an editor of Zeek Magazine.

Related articles in this month's Zeek:

The Sacred and the Profane:
A Conversation with Douglas Rushkoff

They Gonna Crucify Me:
A Reader Responds to Douglas Rushkoff's Nothing Sacred: The Truth About Judaism
Ken Applebaum

Other related articles:

Strasbourg Cathedral Michael Shurkin
The soft borders between Jewish particularism and universalism
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Arte Povera, Damien Hirst, and annoying pomo intellectualism
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Mystical Nazi Sex Gods Jay Michaelson
What draws protesters to banal holocaust art?
April, 2002

Simulacra and Science Fiction Dan Friedman
May Tricks: Reel-or-Dead?
June, 2003

I hear America Bling-blinging Jay Michaelson
Hypercapitalism as Satanism
June, 2003

Zionism and Colonialism Michael Shurkin
Is Zionism Colonialism?
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Beats, Rhymes, and Nigguns Matthue Roth and Juez
Four modern Orthodox breakbeat musicians on Jewish art
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Shtupping in the Shadow of the Bomb Marissa Pareles
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April, 2002

Zeek
Zeek
July 2003


Symposium on
Douglas Rushkoff's
Nothing Sacred
:


The Sacred and the Profane
A Conversation with Douglas Rushkoff



Reinventing the Wheel: A Review of Nothing Sacred
Michael Shurkin



They Gonna Crucify Me: A 'Lapsed Jew' Responds to Nothing Sacred
Ken Applebaum



Plus these other attractions:

Meditation and Sensuality
Jay Michaelson



Anything You Want to Be
Ben Cohen



Not Mentioned
Hal Sirowitz



Josh Graduates High School
Josh Ring



Zeek in Print
Spring 03 issue available here



Saddies
David Stromberg



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