If Only It Were All Just Art
In the aftermath of September 11, Damien Hirst gave an interview with the BBC in which he discussed what it would mean to view the WTC attack as a work of art. As much as I bristle at the idea of turning to Damien Hirst for political commentary, his ideas are of particular interest to me, as a resident of Washington, DC, where the landscape increasingly resembles a surrealist art installation. Here are some of his almost aphoristic statements, taken from the BBC transcript:
Hirst's point that 9/11 changed our visual language is particularly true for most of us on the planet, who were neither injured in the attack nor knew any of the victims, and whose relationship to the event was consequently mediated by television. For us, the visual elements of the attack are in some ways the most familiar to us. And Hirst is right: who does not "see" skyscrapers, airplanes, or the New York skyline differently? All of these things have stood as icons of the modern West, icons which Bin Laden successfully subverted with one masterful stroke. Moreover, like a great deal of contemporary art, the attack would have been nothing if it were not for the gaze of the spectator - us - a gaze that provided the art with its meaning by reading into the icons the cultural and personal meanings that they hold for us. And yet I can't help but wonder if Hirst's aestheticization of 9/11 isn't a dodge - a way to live with the unbearable. I wonder this because I do it myself. |
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